Spiritual Warriors movie review

       Spiritual Warriors takes a courageous look at all aspects of our Spirit by showing the internal and external struggles of a troubled actor, Finn (Jsu Garcia) trying to make it in Hollywood.  Throughout the movie Finn meets with an elderly man, Roger (Robert Easton), who helps Finn learn how to awaken to the insights of his soul.

       From a cinematography perspective, this is no easy task.  But, the filmmakers boldly use stunning visuals and exquisite special effects to demonstrate such ideas as the transcendence of the soul, past lives, destiny, light versus darkness, and spiritual awakening.  Using words to accurately describe these concepts is difficult enough.  However, the movie successfully uses remarkable images to capture the essence behind these deeper realities. Additionally, since the film primarily takes place in Los Angeles, there is enough subtle humor and contemporary examples of everyday life to provide a fun, exciting and relatable context to examine some of life’s most important questions.

        The cinematography provokes the viewer to ask their own questions as opposed to the dialogue simply giving answers.  For example, the movie asks what role darkness and evil play in our own spiritual quest.  What impact do our past lives have on our current relationships and circumstances?  How much of our destiny is predetermined?

       My favorite message from the movie is that when we begin to view life from the perspective of our soul, our life and eventually our destiny take on a much more fulfilling meaning.  This is echoed in the beginning scene, when the following quote is flashed on the screen,
 

       “Spiritual Warriors are people who confidently make choices about where to focus their internal attention, even when the external realities of their everyday lives are chaotic, troublesome or just plain annoying.”

The trailer is below:

 

One Response to “Spiritual Warriors movie review”

  1. Sountru Says:

    I knew a film maker who died very suddenly and I remember thinking: “What does a film maker leave behind?” This thought was the seed that sprouted the movie: Beatific Vision.

    I found myself thinking of a secret film that a character would leave behind when he dies. Not one he wished not to be found but one he planned to be found. More than a final will and testament this film was a “Beatific Vision”, a view into the future of all characters and a clear mapping of the coincidences that would occur.

    As I began to write the screenplay the voice of the Angel started to speak softly and occasionally. Upon many re-writes the Angel voice was vieing for main character status. I tried to reel in the angel but he (Angel Chad) wrestled control away from me.

    When another close friend was passing to the other side, she added a strong dose of acceleration to the writing process. There now are so many Angels (most recently my Mother) involved, I feel I am at best the living hands to this project.

    When I was a small boy my parents used to call me: Angel Michael when they wanted my behavior to change. I actually grew up thinking I was an angel including my sprouting scapula wings. Today, I do not think I am an angel but I surely believe that I am their vehicle for expression on earth.

    Thank-you angels for this “angels on earth” experience!

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